The Chieftains (Ireland)
Uilleann Pipes / Tin Whistle: Paddy Moloney
Flute: Matt Molloy
Bodhrán / Vocals: Kevin Conneff
Hong Kong St. Andrew’s Pipe Band
Members of the Music Office Youth Choir

" The world’s best-loved Irish folk band "
–The Guardian, UK

Six Grammy Awards
BBC Radio 2 Lifetime Achievement Award


The Chieftains with Paddy Moloney

Founded and fronted by internationally renowned Irish uilleann piper and tin whistler Paddy Moloney, The Chieftains has released more than 40 albums and earned numerous accolades over the past half-century, including six Grammy Awards spanning traditional and contemporary categories. Through frequent tours, Moloney and his remarkable group have placed Irish folk music and its heritage firmly on the world map. The versatile musicians have played on the Great Wall of China, at the United States Capitol, and for Pope John Paul II on his visit to Ireland. They have also shared the stage with many other music greats, including Luciano Pavarotti, Bob Dylan, Sinéad O’Connor, Herbie Hancock, Mick Jagger and Akiko Yano. Named “Ireland’s Musical Ambassadors” by the Irish government, the group has even included space in its cultural orbit, performing with a NASA astronaut in 2011.

In this glorious concert, Moloney and long-term partners Matt Molloy on flute and bodhrán player-vocalist Kevin Conneff are joined by a dazzling line-up of musicians on harp and fiddle, among other instruments. Singing and tap dancing add to the soaring Irish melodies, where band members show their on-going passion for music through amazing improvisation, making each show truly one of a kind.

Hong Kong City Hall Concert Hall
MAP
13.11
(Fri)
8pm
$450
$350
$250
$150
* Some seats may have a restricted view

Friendly Reminder
  • Approx. 1 hour 30 minutes without intermission
  • Meet-the-artist session after the performance
Trivia
Global theatrical innovations from Poland
Theatre of Death
Artist and director Tadeusz Kantor (1915-1990) refused to be guided by texts, placing the emphasis on the visual elements of theatre. Kantor combined radical props and stage design with happenings (different art forms brought together in a live performance) to manifest the absurdity and emptiness of reality. In 1975,Kantor created Dead Class, a controversial play from which he developed the Theatre of Death concept, probing such motifs as death, memory, spiritual transcendence, and the most basic human desires.
Poor Theatre
This form of theatre is derived from the ideas and work of director Jerzy Grotowski (1933-1999). Poor Theatre seeks to distil the essence of the dramatic art form. Grotowski argued that interaction between actors and spectators is the only necessary element in theatre, with lighting, sound effects and set design minimised in his productions. In his view, even the stage could be abandoned. Grotowski also developed training methods that demanded his actors constantly engage in self-exploration, fusing their inner beings into performances.
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A Matter of Choice

Wong Chi-chung / Has been working in music, media, art and culture, and education for more than 30 years. He is currently the Assistant Director of General Education Unit at the University of Hong Kong, and a guest DJ for CR2 FM903.

Before the Internet age took over and put the window to world cultures at our fingertips, exotic performances touring to Hong Kong were often sold out in no time. While the concert business in Hong Kong is thriving nowadays, performances of rich traditions and ethnic roots are still a rare treat for the local audience. This autumn, the World Cultures Festival presents a selection of programmes with rich local and ethnic flavours from around the world that are not to be missed.

Angélique Kidjo: Cross-border and Crossover Star of African Music

The queen of African music Angélique Kidjo gave up her successful music career in Benin, West Africa on a quest for freedom and fled to France, where she struggled against poverty to start a new life. The past three decades have seen her prolific output from crossborder and crossover collaborations with many music greats. Even for those who have not heard of Kidjo as the leading light of African music, her duos and collaborations with such artists as Peter Gabriel, Bono, Alicia Keys, Ziggy Marley, John Legend, Herbie Hancock, the Kronos Quartet and Philip Glass should ring a bell. Crossover not only brings together different musical styles in a unique exchange, but also connects musicians and music lovers from different genres and borders with one another.

The appeal of Kidjo lies in the mix of raw power and contemporary charm in her voice. Her influences range from jazz legend Nina Simone, soul queen Aretha Franklin, godfather of funk James Brown, genius rocker Jimi Hendrix, latin-inspired Carlos Santana to South African diva Miriam Makeba, which drive her experimentation with diverse musical styles. Daring and innovative, her music weaves Afrobeat, jazz, rock and pop into a stunning fusion. Kidjo’s personal style, marked by her closecropped hair and the occasional tribal head scarf with floral print, embodies the blending of tradition and contemporary culture, as well as the joining of Africa and other cultures. The concepts and visuals in her photos and music videos also demonstrate her courage and creativity in transcending all kinds of boundaries.

Kidjo has long made use of her fame to campaign for gender equality, especially women’s rights in Africa, winning an array of accolades for her contribution to the cause. Included in the BBC’s list of 50 African Icons and The Guardian’s list of 100 Most Inspiring Women, she has received awards from Time, Forbes and UNICEF, and honorary doctorates from Yale University and Berklee College of Music, in addition to her Grammy wins and Billboard honours.

Kidjo once said her music is about “empowerment, love and joy.”

Apart from her recordings and her autobiography Spirit Rising, Kidjo’s live performances are another window into the artistry and charm of the singer-songwriter. It is a privilege for the Hong Kong audience to see this phenomenal star performs live at this year’s World Cultures Festival.

The Chieftains: Totem of Irish Music

Another highlight of the Festival is the legendary Irish band The Chieftains. Besides such icons as St. Patrick’s Day, Riverdance, Yeats and Guinness, the music of The Chieftains is definitely one of the important totems of Irish culture. Since 1962, Paddy Moloney and his bandmates have made it their mission to promote traditional Irish music, with the uilleann pipes being an emblem of its beauty. Their songs bring us into the realm of Celtic culture, where life is but a breeze across the mountains and coasts in its unison with nature.

Although a few of the band members have passed away, bandleader Moloney is still taking it in his stride to keep the legend of The Chieftains alive. Their upcoming performance in Hong Kong is sure to captivate the audience with its incredible finesse.

The Festival will also feature Japanese taiko group Kodo, Korean street dance group Jinjo Crew, and the US band Los Texmaniacs in a showcase of the development of world cultures today.

Post-script

I had my first exposure to world music in the early 1980s thanks to the releases from Peter Gabriel’s WOMAD (World of Music, Arts and Dance) and Real World Records. The faith and hopes underlying his work are inspirations for us all.

"I think it is the weak, the young and the minorities that you need to look after to get a healthy creative environment - to get a lot of choices, a lot of different styles of music, a lot of experimental stuff that everyone else feeds off."

– Peter Gabriel