特浩特吉卜赛乐团 (印度)
「强大、高能量的演出,遍流人性温暖,充满希望、启迪和鼓舞……特浩特吉卜赛乐团万岁!」
──英国广播公司第六音乐台

被誉为拉贾斯坦邦的文化大使
来自浪遊者原乡 拉贾斯坦令人神迷的舞乐盛典

拉贾斯坦音乐以丰富的情感、快速和複杂的节奏感见称,内容既咏叹爱情、倾诉相思,亦怀缅过去、歌颂人生,具强烈的感染力。特浩特吉卜赛乐团由来自世袭乐师家族的拉希斯.巴哈尔提创办,技艺高超的乐师以塔布拉鼓、多赫拉鼓和簧风琴等印度传统乐器,演奏出明快激情而又睿智灵性的独特音乐,加上令人目眩的拉贾斯坦舞蹈和杂耍,将为观众留下难忘的音乐体验。

位於印度西北部的拉贾斯坦邦,以丰富多样的传统艺术文化闻名,亦是吉卜赛文化的发源地。特浩特吉卜赛乐团成员正是受当地多元深厚的音乐传统和宗教背景孕育薰陶。乐团曾在八十个国家演出超过一千场音乐会,经常获邀出席英国WOMAD、芝加哥世界音乐节、法兰西岛艺术节、爱尔兰世界文化节等国际著名艺术节,并曾与著名吉卜赛歌后Esma Redžepova和国际摇滚巨星Mick Jagger等合作,以及参与庆祝英女皇伊利沙伯二世登基六十周年音乐会。

香港大会堂剧院
地图
31.10
(六)
8pm
$280
$200
$130

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Trivia
Global theatrical innovations from Poland
Theatre of Death
Artist and director Tadeusz Kantor (1915-1990) refused to be guided by texts, placing the emphasis on the visual elements of theatre. Kantor combined radical props and stage design with happenings (different art forms brought together in a live performance) to manifest the absurdity and emptiness of reality. In 1975,Kantor created Dead Class, a controversial play from which he developed the Theatre of Death concept, probing such motifs as death, memory, spiritual transcendence, and the most basic human desires.
Poor Theatre
This form of theatre is derived from the ideas and work of director Jerzy Grotowski (1933-1999). Poor Theatre seeks to distil the essence of the dramatic art form. Grotowski argued that interaction between actors and spectators is the only necessary element in theatre, with lighting, sound effects and set design minimised in his productions. In his view, even the stage could be abandoned. Grotowski also developed training methods that demanded his actors constantly engage in self-exploration, fusing their inner beings into performances.
工作坊
特浩特吉卜赛乐团 - 舞乐工作坊

拉贾斯坦人日常生活里充满乐舞元素,当中以传统舞蹈《古玛尔》最具代表性,舞步优雅,伴奏的塔布拉鼓声音丰富多变。在这个舞乐工作坊,参加者可近距离从特浩特吉卜赛乐团技艺高超的舞者与乐师身上,亲身体验这种北印度独特迷人的舞乐节奏。

导师:特浩特吉卜赛乐团乐师及舞者

香港文化中心大剧院後台六楼排练室GR1
地图
1.11
(日)
12noon - 1:30pm
$160

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  • 名额: 30
  • 英语讲解,广东话传译
  • 适合六岁或以上对音乐及舞蹈有兴趣人士
  • 参加者请穿著舒适轻便的衣服及鞋袜
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