《鼓王群英会》
香港中乐团
指挥:周熙杰
手鼓 :Abbos Kosimov
敲击:陆健斌阿波斯鼓乐团

香港鼓乐节 2015
声东击西.群英汇聚

荣获「2001世界手鼓音乐会-最佳手鼓演奏」的世界知名音乐家Abbos Kosimov继2007年与乐团合作後,再次带领他的手鼓团队与观众进入乌兹别克的音乐及舞蹈世界,带您一探中亚音乐秘境;乐团敲击副首席、本土击乐菁英陆健斌也将同台飙乐,展现动感活力。横跨古今中西的音乐震撼,直「击」您心!

音乐会第一部份:
  • 阿波斯乐团演出
音乐会第二部份:
  • 阿波斯乐团与香港中乐团演出
  • 周熙杰曲 打击与乐队协奏曲(香港首演)
    敲击乐:陆健斌
  • 周熙杰曲 鼓乐澎湃 VII.1015
    观众丶演奏家与乐团互动演出

香港文化中心音乐厅
地图
30.10
(五)
8pm
$380
$250
$150
$100
*Some seats may have a restricted view
Friendly Reminder


香港中乐团为香港文化中心场地伙伴
香港中乐团由香港特别行政区政府资助

Trivia
Global theatrical innovations from Poland
Theatre of Death
Artist and director Tadeusz Kantor (1915-1990) refused to be guided by texts, placing the emphasis on the visual elements of theatre. Kantor combined radical props and stage design with happenings (different art forms brought together in a live performance) to manifest the absurdity and emptiness of reality. In 1975,Kantor created Dead Class, a controversial play from which he developed the Theatre of Death concept, probing such motifs as death, memory, spiritual transcendence, and the most basic human desires.
Poor Theatre
This form of theatre is derived from the ideas and work of director Jerzy Grotowski (1933-1999). Poor Theatre seeks to distil the essence of the dramatic art form. Grotowski argued that interaction between actors and spectators is the only necessary element in theatre, with lighting, sound effects and set design minimised in his productions. In his view, even the stage could be abandoned. Grotowski also developed training methods that demanded his actors constantly engage in self-exploration, fusing their inner beings into performances.
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