《彭德雷茨基 与 萧斯达高维契》
香港小交响乐团
指挥: 彭德雷茨基
小提琴: 格德霍特 (香港小交响乐团乐团首席)

当代作曲大师亲自指挥其得奖作品

彭德雷茨基是当代最具影响力作曲家之一,音乐成就超越半世纪,曾获超过四十个音乐大奖,合作过的著名乐团及指挥不计其数,更获得波兰、德国、法国、意大利及日本等多个国家颁发荣誉奖项。彭德雷茨基首度与香港小交响乐团合作,绝对不容错过!

八十二岁的彭德雷茨基为音乐贡献良多,年轻时为欧洲前卫音乐先驱者之一,其革命性之创新作品震撼世界,将现代音乐重新定义,在历史中写下新时代的一页。这次演出的第二小提琴协奏曲是彭德雷茨基的晚期大作,创作於20世纪末,当中可见作曲家带新浪漫主义色彩的美学追求,结合前卫与传统,独具匠心,技艺高超而感情真挚。小提琴各种高超技巧在此作中表露无遗,炫技中蕴藏著内省哀恸的情感,而管弦乐配器处理大胆而又细腻,色彩层次极丰富,是现代协奏曲中的绝对经典。乐曲由穆特首演、1999年获得格林美最佳古典现代乐曲奖,这次由大师亲自指挥,乐团首席格德霍特担任独奏。下半场乐团还会演奏萧斯达高维契的第15交响曲,令人屏息以待!

彭德雷茨基 第二小提琴协奏曲,《变形》
萧斯达高维契 A大调第15交响曲,作品141

香港大会堂音乐厅
地图
24.10
(六)
8pm
$320
$220
$140
*Some seats may have a restricted view

温馨提示
  • 节目全长约2小时,包括15分钟中场休息


相片: Bruno Fidrych

香港小交响乐团由香港特别行政区政府资助
香港小交响乐团为香港大会堂场地伙伴

Trivia
Global theatrical innovations from Poland
Theatre of Death
Artist and director Tadeusz Kantor (1915-1990) refused to be guided by texts, placing the emphasis on the visual elements of theatre. Kantor combined radical props and stage design with happenings (different art forms brought together in a live performance) to manifest the absurdity and emptiness of reality. In 1975,Kantor created Dead Class, a controversial play from which he developed the Theatre of Death concept, probing such motifs as death, memory, spiritual transcendence, and the most basic human desires.
Poor Theatre
This form of theatre is derived from the ideas and work of director Jerzy Grotowski (1933-1999). Poor Theatre seeks to distil the essence of the dramatic art form. Grotowski argued that interaction between actors and spectators is the only necessary element in theatre, with lighting, sound effects and set design minimised in his productions. In his view, even the stage could be abandoned. Grotowski also developed training methods that demanded his actors constantly engage in self-exploration, fusing their inner beings into performances.
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