同一天空下,音乐在不同角落响起。有的来自他乡,将自己的音乐文化带到香港;有的土生土长,将本地元素注入外来乐风。音乐,就是大家的共同语言。让我们在午後海风吹拂下,随音乐打开心胸,一起舞动!

Head Clowns
糅合东欧、俄罗斯、法国及拉丁美洲乐风的二人组合

狻猊
香港唯一的粤音幻听雷鬼乐队

Gregmel & Africana Band
非洲、拉丁美洲和加勒比海特色的雷鬼、爵士和流行音乐

JAZZIN’ SAMBA
充满爵士韵味的巴西音乐
香港文化中心露天广场C区
地图
31.10
(六)
3pm - 6pm
免费入场
*Some seats may have a restricted view

Friendly Reminder
  • Quota: 40
  • In Cantonese
  • Limited seats available on registration. Standing quota for walk-in participants available on a first-come-first-served basis.
  • Online Registration & Enquiries:29740542 / www.iatc.com.hk


Trivia
Global theatrical innovations from Poland
Theatre of Death
Artist and director Tadeusz Kantor (1915-1990) refused to be guided by texts, placing the emphasis on the visual elements of theatre. Kantor combined radical props and stage design with happenings (different art forms brought together in a live performance) to manifest the absurdity and emptiness of reality. In 1975,Kantor created Dead Class, a controversial play from which he developed the Theatre of Death concept, probing such motifs as death, memory, spiritual transcendence, and the most basic human desires.
Poor Theatre
This form of theatre is derived from the ideas and work of director Jerzy Grotowski (1933-1999). Poor Theatre seeks to distil the essence of the dramatic art form. Grotowski argued that interaction between actors and spectators is the only necessary element in theatre, with lighting, sound effects and set design minimised in his productions. In his view, even the stage could be abandoned. Grotowski also developed training methods that demanded his actors constantly engage in self-exploration, fusing their inner beings into performances.
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