世界文化沙龙.讲座系列

讲座系列请来港台多位著名嘉宾,以轻松的对谈方式,带你艺遊世界!

听遊世界:音乐如何带我浪遊天地


讲者: 朱振威 (乐评人、合唱团指挥)
龚志成 (音乐创作人、策划人)
诚品铜锣湾店 9F Forum
(香港铜锣湾轩尼诗道500号希慎广场九楼)
MAP
2.9
(三)
7:30pm – 9pm
免费入场
*Some seats may have a restricted view

温馨提示
  • 座位名额:40
  • 粤语主讲
  • 免费入场,敬请留座。另设小量企位,先到先得。
  • 网上留座及查询:29740542 / www.iatc.com.hk

非洲灵音:开拓你的世界音乐版图


讲者: 陈奂仁 (曲词编监混唱全能音乐人暨最佳新演员)
袁智聪 (乐评人)
黄志淙 (香港大学通教育部助理总监)
诚品铜锣湾店 9F Forum
(香港铜锣湾轩尼诗道500号希慎广场九楼)
MAP
9.9
(三)
7:30pm – 9pm
免费入场
*Some seats may have a restricted view

温馨提示
  • 座位名额:40
  • 粤语主讲
  • 免费入场,敬请留座。另设小量企位,先到先得。
  • 网上留座及查询:29740542 / www.iatc.com.hk

红粉江湖:透视戏曲中的传奇女子


讲者: 吴美筠(香港艺术发展局文学组主席)
李小良 (岭南大学文化研究系副教授)
诚品铜锣湾店 9F Forum
(香港铜锣湾轩尼诗道500号希慎广场九楼)
MAP
23.9
(三)
7:30pm – 9pm
免费入场
*Some seats may have a restricted view

温馨提示
  • 座位名额:40
  • 粤语主讲
  • 免费入场,敬请留座。另设小量企位,先到先得。
  • 网上留座及查询:29740542 / www.iatc.com.hk

舞在窄巷:街舞文化与城市空间


讲者: 黄修平(电影导演)
杨春江 (舞者、舞评人)
诚品铜锣湾店 9F Forum
(香港铜锣湾轩尼诗道500号希慎广场九楼)
MAP
25.9
(五)
7:30pm – 9pm
免费入场
*Some seats may have a restricted view

温馨提示
  • 座位名额:40
  • 粤语主讲
  • 免费入场,敬请留座。另设小量企位,先到先得。
  • 网上留座及查询:29740542 / www.iatc.com.hk

岂止探戈:有关阿根廷的几个文化关键词


讲者: 林辉 (旅遊作家)
邓正健 (文化评论人)
诚品铜锣湾店 9F Forum
(香港铜锣湾轩尼诗道500号希慎广场九楼)
MAP
30.9
(三)
7:30pm – 9pm
免费入场
*Some seats may have a restricted view

温馨提示
  • 座位名额:40
  • 粤语主讲
  • 免费入场,敬请留座。另设小量企位,先到先得。
  • 网上留座及查询:29740542 / www.iatc.com.hk

越界本土:世界文化与本土关注


讲者: 周澄 (自由撰稿人)
梁启智 (香港中文大学学生事务处社会及公民参与组主任)
诚品铜锣湾店 9F Forum
(香港铜锣湾轩尼诗道500号希慎广场九楼)
MAP
7.10
(三)
7:30pm – 9pm
免费入场
*Some seats may have a restricted view

温馨提示
  • 座位名额:40
  • 粤语主讲
  • 免费入场,敬请留座。另设小量企位,先到先得。
  • 网上留座及查询:29740542 / www.iatc.com.hk

策划及统筹

支持单位

国际演艺评论家协会(香港分会)为艺发局资助团体

Trivia
Global theatrical innovations from Poland
Theatre of Death
Artist and director Tadeusz Kantor (1915-1990) refused to be guided by texts, placing the emphasis on the visual elements of theatre. Kantor combined radical props and stage design with happenings (different art forms brought together in a live performance) to manifest the absurdity and emptiness of reality. In 1975,Kantor created Dead Class, a controversial play from which he developed the Theatre of Death concept, probing such motifs as death, memory, spiritual transcendence, and the most basic human desires.
Poor Theatre
This form of theatre is derived from the ideas and work of director Jerzy Grotowski (1933-1999). Poor Theatre seeks to distil the essence of the dramatic art form. Grotowski argued that interaction between actors and spectators is the only necessary element in theatre, with lighting, sound effects and set design minimised in his productions. In his view, even the stage could be abandoned. Grotowski also developed training methods that demanded his actors constantly engage in self-exploration, fusing their inner beings into performances.
111
222
333