藝術邂逅人生
展覽

無論是街舞達人、色士風樂師、太鼓樂手,還是探戈舞者,以藝術為志業的人都曾因著某種機緣獲得過一份藝術的觸動,並透過堅持,以藝術構築出自己的世界。兩位藝術家王天仁與盧韻淇,透過他們獨特的觸覺和創意,以人型雕塑來回應四位本地演藝人與藝術邂逅的故事,期望也能引起你的共鳴。

展覽第一部曲(王天仁創作)
MAP
香港科學園
(沙田香港科學園科技大道西2號1期核心大樓)
1-11.10
(四 – 日)
7am–10pm
香港文化中心
(尖沙咀梳士巴利道十號)
13 - 24.10
(二 – 六)
9am–11pm
中環廣場
(灣仔港灣道18號)
26.10 - 12.11
(一 – 四)
9am–7pm



展覽第二部曲(盧韻淇創作)
MAP
D2 place
(荔枝角長義街9號)
30.9 - 6.10
(三– 二)
10am–10pm
香港中央圖書館3樓 成人借閱圖書館
(銅鑼灣高士威道66 號)
8 - 27.10
(原定為8 - 20.10)
10am-9pm
(星期三及公眾假期
除外)
星期三: 1pm -9pm
公眾假期: 10am-7pm
New
賽馬會創意藝術中心
(石硤尾白田街30號)
29.10 - 1.11
(原定為22 - 30.10)
星期四至六: 10am -
10pm
星期日: 10am - 2pm
New
香港教育學院 文化與創意藝術學系展覽廳
(大埔露屏路十號)
3-12.11
(二– 四)
9am–7pm
7am–10pm






Trivia
Global theatrical innovations from Poland
Theatre of Death
Artist and director Tadeusz Kantor (1915-1990) refused to be guided by texts, placing the emphasis on the visual elements of theatre. Kantor combined radical props and stage design with happenings (different art forms brought together in a live performance) to manifest the absurdity and emptiness of reality. In 1975,Kantor created Dead Class, a controversial play from which he developed the Theatre of Death concept, probing such motifs as death, memory, spiritual transcendence, and the most basic human desires.
Poor Theatre
This form of theatre is derived from the ideas and work of director Jerzy Grotowski (1933-1999). Poor Theatre seeks to distil the essence of the dramatic art form. Grotowski argued that interaction between actors and spectators is the only necessary element in theatre, with lighting, sound effects and set design minimised in his productions. In his view, even the stage could be abandoned. Grotowski also developed training methods that demanded his actors constantly engage in self-exploration, fusing their inner beings into performances.
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