《鼓王群英會》
香港中樂團
指揮:周熙杰
手鼓 :Abbos Kosimov
敲擊:陸健斌阿波斯鼓樂團

香港鼓樂節 2015
聲東擊西.群英匯聚

榮獲「2001世界手鼓音樂會-最佳手鼓演奏」的世界知名音樂家Abbos Kosimov繼2007年與樂團合作後,再次帶領他的手鼓團隊與觀眾進入烏茲別克的音樂及舞蹈世界,帶您一探中亞音樂秘境;樂團敲擊副首席、本土擊樂菁英陸健斌也將同台飆樂,展現動感活力。橫跨古今中西的音樂震撼,直「擊」您心!

音樂會第一部份:
  • 阿波斯樂團演出
音樂會第二部份:
  • 阿波斯樂團與香港中樂團演出
  • 周熙杰曲 打擊與樂隊協奏曲(香港首演)
    敲擊樂:陸健斌
  • 周熙杰曲 鼓樂澎湃 VII.1015
    觀眾、演奏家與樂團互動演出

香港文化中心音樂廳
地圖
30.10
(五)
8pm
$380
$250
$150
$100
Friendly Reminder


香港中樂團為香港文化中心場地伙伴
香港中樂團由香港特別行政區政府資助

Trivia
Global theatrical innovations from Poland
Theatre of Death
Artist and director Tadeusz Kantor (1915-1990) refused to be guided by texts, placing the emphasis on the visual elements of theatre. Kantor combined radical props and stage design with happenings (different art forms brought together in a live performance) to manifest the absurdity and emptiness of reality. In 1975,Kantor created Dead Class, a controversial play from which he developed the Theatre of Death concept, probing such motifs as death, memory, spiritual transcendence, and the most basic human desires.
Poor Theatre
This form of theatre is derived from the ideas and work of director Jerzy Grotowski (1933-1999). Poor Theatre seeks to distil the essence of the dramatic art form. Grotowski argued that interaction between actors and spectators is the only necessary element in theatre, with lighting, sound effects and set design minimised in his productions. In his view, even the stage could be abandoned. Grotowski also developed training methods that demanded his actors constantly engage in self-exploration, fusing their inner beings into performances.
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