《彭德雷茨基 與 蕭斯達高維契》
香港小交響樂團
指揮: 彭德雷茨基
小提琴: 格德霍特 (香港小交響樂團樂團首席)

當代作曲大師親自指揮其得獎作品

彭德雷茨基是當代最具影響力作曲家之一,音樂成就超越半世紀,曾獲超過四十個音樂大獎,合作過的著名樂團及指揮不計其數,更獲得波蘭、德國、法國、意大利及日本等多個國家頒發榮譽獎項。彭德雷茨基首度與香港小交響樂團合作,絕對不容錯過!

八十二歲的彭德雷茨基為音樂貢獻良多,年輕時為歐洲前衛音樂先驅者之一,其革命性之創新作品震撼世界,將現代音樂重新定義,在歷史中寫下新時代的一頁。這次演出的第二小提琴協奏曲是彭德雷茨基的晚期大作,創作於20世紀末,當中可見作曲家帶新浪漫主義色彩的美學追求,結合前衛與傳統,獨具匠心,技藝高超而感情真摯。小提琴各種高超技巧在此作中表露無遺,炫技中蘊藏著內省哀慟的情感,而管弦樂配器處理大膽而又細膩,色彩層次極豐富,是現代協奏曲中的絕對經典。樂曲由穆特首演、1999年獲得格林美最佳古典現代樂曲獎,這次由大師親自指揮,樂團首席格德霍特擔任獨奏。下半場樂團還會演奏蕭斯達高維契的第15交響曲,令人屏息以待!

彭德雷茨基 第二小提琴協奏曲,《變形》
蕭斯達高維契 A大調第15交響曲,作品141

香港大會堂音樂廳
地圖
24.10
(六)
8pm
$320
$220
$140

溫馨提示
  • 節目全長約2小時,包括15分鐘中場休息


相片: Bruno Fidrych

香港小交響樂團由香港特別行政區政府資助
香港小交響樂團為香港大會堂場地伙伴

Trivia
Global theatrical innovations from Poland
Theatre of Death
Artist and director Tadeusz Kantor (1915-1990) refused to be guided by texts, placing the emphasis on the visual elements of theatre. Kantor combined radical props and stage design with happenings (different art forms brought together in a live performance) to manifest the absurdity and emptiness of reality. In 1975,Kantor created Dead Class, a controversial play from which he developed the Theatre of Death concept, probing such motifs as death, memory, spiritual transcendence, and the most basic human desires.
Poor Theatre
This form of theatre is derived from the ideas and work of director Jerzy Grotowski (1933-1999). Poor Theatre seeks to distil the essence of the dramatic art form. Grotowski argued that interaction between actors and spectators is the only necessary element in theatre, with lighting, sound effects and set design minimised in his productions. In his view, even the stage could be abandoned. Grotowski also developed training methods that demanded his actors constantly engage in self-exploration, fusing their inner beings into performances.
111
222
333