世界文化沙龍.講座系列

講座系列請來港台多位著名嘉賓,以輕鬆的對談方式,帶你藝遊世界!

聽遊世界:音樂如何帶我浪遊天地


講者: 朱振威 (樂評人、合唱團指揮)
龔志成 (音樂創作人、策劃人)
誠品銅鑼灣店 9F Forum
(香港銅鑼灣軒尼詩道500號希慎廣場九樓)
MAP
2.9
(三)
7:30pm – 9pm
免費入場
*Some seats may have a restricted view

溫馨提示
  • 座位名額:40
  • 粵語主講
  • 免費入場,敬請留座。另設小量企位,先到先得。
  • 網上留座及查詢:29740542 / www.iatc.com.hk

非洲靈音:開拓你的世界音樂版圖


講者: 陳奐仁 (曲詞編監混唱全能音樂人暨最佳新演員)
袁智聰 (樂評人)
黃志淙 (香港大學通教育部助理總監)
誠品銅鑼灣店 9F Forum
(香港銅鑼灣軒尼詩道500號希慎廣場九樓)
MAP
9.9
(三)
7:30pm – 9pm
免費入場
*Some seats may have a restricted view

溫馨提示
  • 座位名額:40
  • 粵語主講
  • 免費入場,敬請留座。另設小量企位,先到先得。
  • 網上留座及查詢:29740542 / www.iatc.com.hk

紅粉江湖:透視戲曲中的傳奇女子


講者: 吳美筠(香港藝術發展局文學組主席)
李小良 (嶺南大學文化研究系副教授)
誠品銅鑼灣店 9F Forum
(香港銅鑼灣軒尼詩道500號希慎廣場九樓)
MAP
23.9
(三)
7:30pm – 9pm
免費入場
*Some seats may have a restricted view

溫馨提示
  • 座位名額:40
  • 粵語主講
  • 免費入場,敬請留座。另設小量企位,先到先得。
  • 網上留座及查詢:29740542 / www.iatc.com.hk

舞在窄巷:街舞文化與城市空間


講者: 黃修平(電影導演)
楊春江 (舞者、舞評人)
誠品銅鑼灣店 9F Forum
(香港銅鑼灣軒尼詩道500號希慎廣場九樓)
MAP
25.9
(五)
7:30pm – 9pm
免費入場
*Some seats may have a restricted view

溫馨提示
  • 座位名額:40
  • 粵語主講
  • 免費入場,敬請留座。另設小量企位,先到先得。
  • 網上留座及查詢:29740542 / www.iatc.com.hk

豈止探戈:有關阿根廷的幾個文化關鍵詞


講者: 林輝 (旅遊作家)
鄧正健 (文化評論人)
誠品銅鑼灣店 9F Forum
(香港銅鑼灣軒尼詩道500號希慎廣場九樓)
MAP
30.9
(三)
7:30pm – 9pm
免費入場
*Some seats may have a restricted view

溫馨提示
  • 座位名額:40
  • 粵語主講
  • 免費入場,敬請留座。另設小量企位,先到先得。
  • 網上留座及查詢:29740542 / www.iatc.com.hk

越界本土:世界文化與本土關注


講者: 周澄 (自由撰稿人)
梁啟智 (香港中文大學學生事務處社會及公民參與組主任)
誠品銅鑼灣店 9F Forum
(香港銅鑼灣軒尼詩道500號希慎廣場九樓)
MAP
7.10
(三)
7:30pm – 9pm
免費入場
*Some seats may have a restricted view

溫馨提示
  • 座位名額:40
  • 粵語主講
  • 免費入場,敬請留座。另設小量企位,先到先得。
  • 網上留座及查詢:29740542 / www.iatc.com.hk

策劃及統籌

支持單位

國際演藝評論家協會(香港分會)為藝發局資助團體

Trivia
Global theatrical innovations from Poland
Theatre of Death
Artist and director Tadeusz Kantor (1915-1990) refused to be guided by texts, placing the emphasis on the visual elements of theatre. Kantor combined radical props and stage design with happenings (different art forms brought together in a live performance) to manifest the absurdity and emptiness of reality. In 1975,Kantor created Dead Class, a controversial play from which he developed the Theatre of Death concept, probing such motifs as death, memory, spiritual transcendence, and the most basic human desires.
Poor Theatre
This form of theatre is derived from the ideas and work of director Jerzy Grotowski (1933-1999). Poor Theatre seeks to distil the essence of the dramatic art form. Grotowski argued that interaction between actors and spectators is the only necessary element in theatre, with lighting, sound effects and set design minimised in his productions. In his view, even the stage could be abandoned. Grotowski also developed training methods that demanded his actors constantly engage in self-exploration, fusing their inner beings into performances.
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